This week I went to the First Monday Crime Event, hosted by Goldsboro Books which was held at City University. This is a new crime/thriller evening which will be held in Central London on the first Monday of every month and which will feature a range of amazing best-selling authors.
The event was an instant hit and featured an awesome panel of authors; Leye Adenle, Elly Griffiths, Mary Paulson-Ellis, Amanda Jennings and chaired by Barry Forshaw. The authors discussed their recent novels, their debuts, their experience at submitting the first draft, book themes, the dreaded second novel syndrome, plotting and the notion of a tidy desk.
They all gave some great recommendations of crime authors they love including; Wilkie Collins, Edgar Allen Poe, anything by Charles Dickens, Lizzie Thompson, Isabelle Grey and Pace Setter Novels from MacMillian Publishers.
This lively and fun evening featured cupcakes, wine and some fantastic goody bags from Orenda Books. After the panel discussion there was even a chance to buy the books and to get these signed by the authors – which is something I always look forward to at events! The evening ended with a lot of socialising down the local pub.
If you get the chance I would recommend anyone who loves crime/thriller novels to go. There is a small £5 charge to attend but with a friendly, fun and lively atmosphere I think it is definitely worth it.
The Featured Books:
Brit Noir by Barry Forshaw: The Pocket Essential Guide to British Crime Fiction, Film and TV.
Blurb: Guy Collins, a British hack, is hunting for an election story in Lagos. A decision to check out a local bar in Victoria Island ends up badly – a mutilated female body is discarded close by and Collins is picked up as a suspect. In the murk of a hot, groaning and bloody police station cell, Collins fears the worst. But then Amaka, a sassy guardian angel of Lagos working girls, talks the police station chief around. She assumes Collins is a BBC journo who can broadcast the city’s witchcraft and body parts trade that she’s on a one-woman mission to stop.
Blurb: Brighton, winter 1951.
Pantomime season is in full swing on the pier with Max Mephisto starring in Aladdin, but Max’s headlines have been stolen by the disappearance of two local children. When they are found dead in the snow, surrounded by sweets, it’s not long before the press nickname them ‘Hansel and Gretel’.
DI Edgar Stephens has plenty of leads to investigate. The girl, Annie, used to write gruesome plays based on the Grimms’ fairy tales. Does the clue lie in Annie’s unfinished – and rather disturbing – last script? Or might it lie with the eccentric theatricals who have assembled for the pantomime?
Blurb: A tragic family event reveals devastating news that rips apart Bella’s comfortable existence. Embarking on a personal journey to uncover the truth, she faces a series of traumatic discoveries that take her to the ruggedly beautiful Cornish coast, where hidden truths, past betrayals and a 25-year-old mystery threaten not just her identity, but her life.
Blurb: Somehow she’d always known that she would end like this. In a small square room, in a small square flat. In a small square box, perhaps. Cardboard, with a sticker on the outside. And a name . .
In a freezing, desolate Edinburgh flat an old woman takes her last breath surrounded by the few objects she has accrued over a lifetime: an emerald dress, a brazil nut engraved with the ten commandments – and six orange pips sucked dry.
Meanwhile, guided by the flip of a coin, Margaret Penny arrives back at her old family home, escaping a life in London recently turned to ash. Faced with relying on a resentful mother she has never really known, Margaret soon finds herself employed by the Office for Lost People, tasked with finding the families of the dead: the neglected, the abandoned, the lost. Her instructions are to uncover paperwork, yet the only thing Mrs Walker, the old woman in her current case, left behind is a series of peculiar objects.
But in the end it is these objects that will unravel Mrs Walker’s real story: a story rooted in the London grime and moving from the 1930s to the present day, a story of children abandoned and lost, of beguiling sisters and misplaced mothers, of deception and thievery, family secrets and the very deepest of betrayals; in which the extraordinary circular nature of life will glitter from the page. For in uncovering the astonishing tale of an old woman who died alone, Margaret will finally discover her own story too . . .